Jenn Karson is a project collaborator on this exhibition and created two sound installations for it. Learn more in the exhibition catalog:
Staring Back: The Creation and Legacy of Picasso’s Demoiselles d’Avignon
February 3 – June 21, 2015
Fleming Museum Burlington, Vermont
Hosted by UVM President Thomas Sullivan,
Fleming Director Janie Cohen, and the Fleming Museum’s Board of Directors
Cash bar, hors d’oeuvres and music
Tuesday February 10, 5:30-7:00 PM
Picasso’s major 1907 painting, Les Demoiselles d’Avignon, created an uproar in the Paris art world and laid the foundation for the development of Cubism. This spring, the Fleming Museum presents an exhibition that explores Picasso’s extraordinary process in creating the painting, through innovative installations and advanced technologies that transform the museum experience. The painting’s ongoing legacy is examined through the work of a diverse group of American, African, and European contemporary artists. While Demoiselles does not travel from its home in the Museum of Modern Art, it will be represented at the Fleming in an unprecedented manner.
Visitors will be introduced to the painting in an environment that evokes Picasso’s studio at the “Bateau Lavoir,” where he first showed Demoiselles to his close friends and colleagues in 1907; their reactions may be heard against a background of ambient sounds that would have echoed through the streets of Montmartre at the time. Augmented reality will enable visitors to view images of Picasso’s studies for the individual figures and the full composition in the context of the painting, and to understand its evolution.
Picasso found inspiration for Demoiselles in art history and contemporary visual culture. Through a variety of new visual technologies, visitors will understand how he synthesized and transformed these diverse sources – from Iberian, African, Oceanic, and Egyptian art to Baroque painting, Cezanne’s and Gauguin’s work, and colonial photographers’ images of African women – to launch a radically new artistic vocabulary.
The largest section of the exhibition highlights the continuing pull of the painting – over 100 years after its creation – as evidenced in the work of international artists, including Leonce Raphael Agbodjelou, Gerri Davis, Damian Elwes, Julian Friedler, Kathleen Gilje, Carlo Maria Mariani, Sophie Matisse, Stas Orlovski, and Jackson Tupper.
STARING BACK was conceived and curated by Janie Cohen, Director of the Fleming Museum of Art. The exhibition is informed by the work of numerous Picasso scholars, including Cohen, who has published on Picasso for over thirty years and whose new research on anthropometric-style colonial African photography and Demoiselles will be published in the journal Photography and Culture in March, 2015. Cohen’s project collaborators are Coberlin Brownell, Assistant Professor, Emergent Media Program at Champlain College, Burlington, Vermont; and Jenn Karson, Sound Artist; Lecturer, UVM College of Engineering and Mathematical Sciences; and Founder, Vermont Makers, Burlington, Vermont.
Generous support for this exhibition has been provided by the Kalkin Family Exhibitions Endowment Fund; the Walter Cerf Exhibitions Fund; Rolf Kielman and Stephanie Spencer; TruexCullins Architecture and Interior Design; Kimberley Adams, M.D., and Mark Depman, M.D.; Neil and Ursula Owre Masterson ’89; the Offices of the President and the Provost at the University of Vermont; and the Fleming Contemporary Art Fund.
Our “Name that Ringtone” contest is on its way. We did a test over at our facebook page and the response was exciting – Lots of creative people joined in and gave a handful of ringtones some really creative names.
While the social media test was recent, this project actually started in 2007 right before I left to attend grad school at the San Francisco Art Institute. This is when these first batches of ringtones were made. The problem then was that cell phone technology wasn’t so great, and companies like Verizon were even disabling features on Motorola phones that would allow the easy addition of custom ringtones. I also ran into problems getting a Motorola phone to work with my Mac computer. So, in summary there were a lot of conflicts and challenges back then.
Well, I don’t have to tell you how things have changed now that the iPhone is universally adored. It is now much easier to get custom ringtones onto a phone.
The way the “Name that Ringtone” contests works is that all who suggest a name + like Studio Ju Ju on facebook get entered to win a pair of Reveal Bamboo Bambud earbuds, and those who suggest the winning name for a particular ringtone, get a copy of that ringtone for their phone.
Here’s the ringtone currently up for naming. Take a break from the holidays and put your creativity to work. Name that ringtone!
In case you can’t view the iframe above, click here.
Champlain color stream as it appeared in Paris at La Bellevilloise as it was being broadcast from ECHO Lake and Science Aquarium in Burlington, VT.
In April 2010 CiTu labs of the University of Paris held the first synchronized international event for The Art Collider. In Vermont, sound artist Jenn Karson and photographer Matt Larson participated from ECHO Lake Aquarium and Science Center in Burlington, Vermont. They contributed live sound and video streams from the Burlington Waterfront using max/MSP programming.
The Art Collider is an online platform that supports a collaborative creation of media art through a system of Peer-to-Peer and Artist-to-Artist production.
Sites in the Paris, Montreal, San Francisco, New York & Linz participated in the event.
Sound & Color wiki