This composition demonstrates how physical boundaries are easily broken and betrayed by sound’s ability to transcend consecutive time and solid structures, refracting time and space.
The journey begins on NYC subway platform where the particulate rhythms and melodies of the subway swarm with the notes and beats of subway musicians.* Once boarded and on the train, the ambient is quieted and encapsulated…until you are let off, far from the city, where the barren trees hold steady, absorbing a cold winter rain.
Suggestions for creating the best listening environment for this composition:
Many of the composition’s sonic textures will be lost if played through the tiny tinny speaker your computer or mobile device. The best way to listen is through headphones. It can be a challenge to capture the spatial qualities of a sound piece like this one through the rigid environment of computer and and mobile screens. I’d rather play it for you in a gallery space or even through your own sound system in your home, an environment that would allow the sound to travel through a quality speaker, then through space before arriving in your ears.
Champlain color stream as it appeared in Paris at La Bellevilloise as it was being broadcast from ECHO Lake and Science Aquarium in Burlington, VT.
In April 2010 CiTu labs of the University of Paris held the first synchronized international event for The Art Collider. In Vermont, sound artist Jenn Karson and photographer Matt Larson participated from ECHO Lake Aquarium and Science Center in Burlington, Vermont. They contributed live sound and video streams from the Burlington Waterfront using max/MSP programming.
The Art Collider is an online platform that supports a collaborative creation of media art through a system of Peer-to-Peer and Artist-to-Artist production.
Sites in the Paris, Montreal, San Francisco, New York & Linz participated in the event.
Sound & Color wiki