Intermedia + Technology Programs
Intermedia + Technology Summit
University of Vermont
A daylong event to bring together artists, art historians and curators to discuss connections between the Fluxus movement and emergent digital art forms.
Casey Reas: Iterating Substance
Wilson “Snowflake” Bentley: Crystal Iterations
Robert Hull Fleming Museum, Fall 2020
Curated by Andrea Rosen and Jenn Karson
Wilson “Snowflake” Bentley (1865-1931), of Jericho, Vermont, pioneered the use of photomicrographs to rapidly capture the crystalline structures of snowflakes before they melted. Casey Reas (born 1972) develops his own software to create generative artworks in video, sound, installation, and other media. His accomplishments include the open-source coding language Processing, now used by thousands of artists, teachers, and students. Both artists invented technologies that aided in the creation of their art and generated new knowledge to be shared with and used by the public. Both explore geometric iteration, from the crystallization of ice to the programming of the behavior of visual components in digital videos. The Fleming Museum’s Fall 2020 exhibitions will put these two artists, working a century apart, in dialogue, exploring the intersections of art, science, and technology.
2020 Vision: Seeing Art Through Technology is a statewide exhibition and program of the Vermont Curators Group.
Directed by Paula Higa
Friday & Saturday, November 8 & 9, 2019
University of Vermont
The light is the beginning of quantum. The smallest particles of energy travel through empty spaces.
The lines confine the spaces. Pulsating energy collides and shapes the unknown.
The paper is the macro lenses of quantum complications.
Working in the new UVM STEM Complex, this site-specific performance intends to bring art and science together. Influenced by the work of Debra Weisberg, Tape Drawings, faculty Paula Higa and students examine quantum physics, the vast space between areas, and atomic turbulences.
Leonardo Art Science Rendezvous (LASER)
Wednesday, April 10 – 5:30 PM
Fleming Museum auditorium
Program Curator: Jenn Karson
With a focus on the artistic and scholarly collaboration that resulted in the spring 2018 production of Euripides’ play Helen, these three charismatic Vermonters will discuss their areas of research and practice, providing a glimpse into their distinct creative processes. Fleming curator Andrea Rosen will facilitate the conversation with the speakers and audience. A reception with light refreshments will follow.
John C. Franklin, Musician, Professor and Chair, UVM Department Of Classics
Glynnis Fawkes, Artist, Cartoonist, and Archaeological Illustrator
Creston Lea, Electric Instrument-Maker and Writer
Behind the Schemes: When Helen of Troy came to UVM
March 5 – May 10, 2019
Fleming Museum of Art, Media Niche
Curator: Jenn Karson
In the spring of 2018, the UVM Classics Department produced the Greek tragedy Helen by classical Athenian playwright Euripides. Seven Days praised the effort, saying the production was “an unusually inventive rendition.” The play entailed extensive collaboration, involving UVM students, faculty, staff, alumni, and community artists and actors. The exhibition Behind the Schemes: When Helen of Troy came to UVM features visual artifacts from the production, documenting the interdisciplinary scholarship and artistry that made it both unique and noteworthy.