Naked Shapes

Domaine de Boisbuchet

Les Formes Nues - Naked Shapes 25/06 - 09/10/11, Domaine de Boisbuchet

I don’t usually post about design here, but in this case I can’t resist. The exhibition Naked Shapes opens June 25 at Domaine de Boisbuchet, a country estate in the Southwest of France that is renowned as an international site of experimentation in design and architecture.

Below is the description that caught my attention, not to mention the simplicity and beauty of the pieces on view. Due to necessity and scarcity, these everyday objects are so efficiently formed, that they are symbolic and iconic. So simple, beautiful and elegant, perhaps even close to some kind of perfection.

“Naked Shapes focuses on the period during and after the Second World War, when there was a severe shortage of materials in Japan. One of the few metals that could be easily recycled was scrap aluminum from U.S. combat planes. The Japanese turned this into various household goods such as kettles, hot water bottles, chairs, baby rattles and more. Most of these objects were produced in small local factories and by individual artisans: industrial designers did not exist. These goods were produced out of necessity, which kept their design to a minimum.”

More here

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Studio Ju Ju Views

More on our ongoing photo series of the Studio Ju Ju View…

Most recent photo: June 23, 2011
First photo in series: September 21, 2010

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Museum of Non-Visible Art (MONA)

The Non-Visible Museum is an extravaganza of imagination, a museum that reminds us that we live in two worlds: the physical world of sight and the non-visible world of thought. Composed entirely of ideas, the Non-Visible Museum redefines the concept of what is real. Although the artworks themselves are not visible, the descriptions open our eyes to a parallel world built of images and words. This world is not visible, but it is real, perhaps more real, in many ways, than the world of matter, and it is also for sale.

I like the idea of MONA but I do hope that they expand their idea of what is non-visible art to include sound, smell and touch. If they just stick to narrative, that will be boring! If they just keep it at ideas, how will this be anything new that builds on the history of conceptual art? Anyhow, the project is new so no need to pass judgment this early in its creation. They are currently raising funds and inviting interested people to join a mailing list.

In 2009, with the artist Sandhya Khumar, I created an artwork made from a sound recording of an iconic SF Bay two-tone foghorn – one that hasn’t played for over 25 years. Little has been done to preserve foghorn sounds yet they’ve had huge impact on the sound aesthetic of San Francisco and other cities for 100 years. The reason I bring this up is that the formation of MONA reminds me of this sound recording and how we were able to auction it off for nearly $300 at a live auction in 2009, part of the Radical Practices Live Auction Series in San Francisco.

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Invisibe art at its best

This piece “Column of Earth and Air” by Mark Brest van Kempen is one of my favorites. It is eloquent and potent at the same time. Simple and sophisticated. An invisible sculpture that creates a public space free of laws and jurisdiction. An invisible monument to free speech.

read more here

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Studio Ju Ju Views

Our ongoing photo series of the Studio Ju Ju View turned six months old on the first day of spring…Enjoy!
Photos are updated daily through a flickr photo blog.

Most recent photo: June 3, 2011
First photo in series: September 21, 2010

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Immaterial Terrain

Photo credit: yourban.no

Designers at the Oslo School of Architecture and Design have created a method to materialize and document the “immaterial terrain” of WiFi networks within a city. In this project they created a way to measure WiFi presence using a light stick. Then using that light stick they mapped WiFi across the campus landscape while documenting the light variations through long-exposure photography. They created what I would call a kind of “light map” to create a presence for what is usually an invisible – yet crucial – network and a significant – yet intangible – terrain in contemporary life.

The project’s interest in the spatial and material qualities of wireless networks is what makes it interesting to the projects of Studio Ju Ju where we have a similar interest in exploring the spatial and material qualities of sound and sound travel.

More about: Immaterials: Light painting WiFi

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Sonic Shadows

Sonic Shadows

Sonic Shadows

Wow. If you are going to be in SF between now and November 6, 2011 check out “Sonic Shadows,” a sound installation by Bill Fontana at the SFMOMA – and then tell me about it!

More about Sonic Shadows

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Snow Music

Click here for snow music
This sound piece is made from a field recording of snow falling. The raw field recording was only slightly filtered to bring out its melodic qualities.

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Happy New Year!

“There is no such thing as an empty space or an empty time.
There is always something to see, something to hear.
In fact, try as we may to make a silence, we cannot.”

- John Cage

Dear friends:

Happy New Year to You! Here are some highlights of the sounds we made and sounds
we heard at Studio Ju Ju in 2010. Thanks as always for your support!

1. Streaming Live Art from Burlington, Vermont to Paris, France

From the ECHO Lake Aquarium and Science Center, artist Matt Larson and I streamed colors and sounds from the Lake Champlain Waterfront through the Art Collider and over the Internet to an exhibition in Paris, France.  More-

Thank you Maurice Benayoun and Robin Gareus from CiTu Lab and Bridget Butler from ECHO.

2. Sound Mapping and Scoring at the Marin Country Day School

As part of a teaching residency I worked with art educators Melita Morales and Benny Shotwell with 5th and 7th graders. The art of the final exhibit centered on the concepts that maps navigate place (think points of interest on contour map) and scores document time (think consecutive notes on a musical score). Through the creation of unique symbol systems that communicate the essence of what each student heard, the completed student work exhibits both individual and shared experiences throughout the day of April 19, 2010.  More- (link to pdf)

Thank you to Melita, Benny and the MCDS art program.

3. Sounds of a Stone Home

This remote installation explored the comings and goings of the creatures, people and things who inhabit the stone quarries at Millstone Hill in Barre Town, Vermont.  It debuted in September as part of an exhibition of American and Japanese artists in the exhibition On the Planet.  More-

Essay: A behind the scenes account of “Sounds of a Stone Home”

Thank you to Janet Van Fleet and Sue Higby of Studio Place Arts.
Thanks also to Amy Cunningham and Brent Hallenbeck.

4. Scoring the Streets of New Orleans

For this installation I worked with a pre-Katrina field recording of the French Quarter in New Orleans. In 2010 I turned the recording into midi data and using this data created a new sound piece and a digital print.  More-


Special thanks to Maria Brodine, Margaret Tamulonis and Craig Campbell.

5. Sonic Ephemera

Significant progress was made in organizing the archives for the “pop” projects Zola Turn, Bad Ju Ju and Salon Pod. In 2011 the formal cataloging will begin.
Here’s a 1996 poster from a gig featuring Zola Turn and Wide Wail at the Last Elm Café

Wishing you the best in 2011! Please keep in touch.

Cheers,
Jenn

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Sonic Ephemera. Find #1

In 2010 progress was made in organizing the Studio Ju Ju archives for the “pop” projects Zola Turn, Bad Ju Ju and Salon Pod. In 2011 the formal cataloging will begin.

zola turn poster 1996, burlington vermont

Sub Rosa (Zola Turn) and Wide Wail. Poster for Last Elm Café gig, January 13, 1996

I’ll periodically post these images from the past.

Here is a poster from 1996 for a show that we played with Wide Wail at the Last Elm Café. For about the first six months of our existence, Zola Turn was called Sub Rosa. A few months after this show, we found out that there was a Boston band named Sub Rosa made up of lawyers. We decided it would be best to change our name to something more original, hence Zola Turn.

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