True Experience + Time Warp Impossible Journey

In this composition the ambient sounds of the subway are as significant as the more easily identifiable musical sounds, every tone and percussive sound you hear is part of True Experience + Time Warp Impossible Journey. There is crescendo and decrescendo, there are melodies and rhythms.  Sounds travel across a subway platform and sound strikes the bare winter branches of trees.  This composition demonstrates how physical boundaries are broken and betrayed by sound’s ability to transcend barriers of consecutive time and solid structures, its ability to create unique networks of time and space.

Suggestions for creating the best listening environment for this composition:

Many of the composition’s sonic textures will be lost if played through the tiny tinny speaker your computer or mobile device. The best way to listen is through headphones. It can be a challenge to capture the spatial qualities of a sound piece like this one through the rigid environment of computer and and mobile screens. I’d rather play it for you in a gallery space or even through your own sound system in your home, an environment that would allow the sound to travel through a quality speaker, then through space before arriving in your ears.

 

YOUR ATTENTION PLEASE. IGNORE THIS MESSAGE!

In the public square scattered cell phone “bell” alerts dot the city soundscape ringing from pockets, bags and café tables. This image shows an iphone with alerts set to bells.

Title:

Your Attention Please! Ignore this Message

When and Where:

Exhibited as part of Break It! Build It! at the Burlington City Arts Gallery, July 25, 2014 – September 13, 2014

Ideas:

This installation is inspired by an earlier work, the Firehouse Bell Project.

Despite major shifts in technology, bells continue to serve as cultural signifiers in the public square. A bell like the one atop this firehouse remains part of the built environment even though it no longer rings. Next door at City Hall a bell recording plays on the hour through an amplifier, no physical bell required. Scattered cell phone “bell” alerts dot the city soundscape ringing from pockets, bags and café tables.

Within the lifetime of current Burlington residents, civic bells like the Firehouse Bell communicated singular messages that found meaning in community, time and place.
By contrast in 2014 bells and alerts from personalized media sustain a persistent sonic layer of anytime–anyplace messages. While these messages are not meant for us they demand our attention.

Your Attention Please! Ignore this Message explores the cultural shift from public bells to private bells through Malcolm McCullough’s definition of the Ambient Commons. It is a reflection on how (and perhaps increasingly so) our sensory field comes from and refers to someplace else.

Installation Experience:

Ubiquitous cell phone alerts that reference bells were amplified in the gallery through ceiling speakers. Private alerts based on an individual’s schedule were played publicly. The installation Your Attention Please! Ignore this Message brings attention to the continued sounding of bells in the public square, despite major shifts in what we consider public and private and the blurring lines between the common digital and physical spaces we share.

Listen

Cell Phone Bells:  This short clip includes “chimes”, “bell”, “bell tower”, and “door bell”.

THE FIREHOUSE BELL PROJECT

The firehouse bell tower in Burlington, Vermont – an iconic part of the local cityscape. The bell tower was restored in 2002 and its bell, after over 50 years in storage at Shelburne Museum, was ceremoniously hoisted back into the tower. However, the bell still does not ring.

Title:

The Firehouse Bell Project

When and Where:

User Required
April 12, 2013 – May 18, 2013
Burlington City Arts Gallery, Burlington, Vermont

Concept:

Bells were once necessary to summon the public all at once, all together, all in one place. Their sounds are deeply woven into the cultural fabric and unique soundscapes of cities and towns worldwide. Civic bells are constant; they mark time through personal stories and shared histories that unite a public’s past and present. Despite extraordinary and rapid advances in communication technology, do we perhaps still have a basic desire to hear bells ring into the future?

 

The Installation Experience

Voting for the future of the Firehouse Bell in Burlington, Vermont

The Firehouse Bell Project was on view at Burlington City Arts as part of the exhibition User Required in April and May of 2013. The installation posed two questions: Do you think The Firehouse Bell should ring again and if so why should it ring? The installation included video from the foundry where the bell was made, the bell’s original striker that we found in the bell tower.

Scroll down to the bottom of this page to view a video of the installation.

Participation

Once an essential communication technology for the City of Burlington, is the firehouse bell just a decoration or does an inspired contemporary purpose await its ring?

Do you think The Firehouse Bell should ring again?
Yes Votes = 464
No Votes = 68

The following suggestions were submitted in response to the question: Do you think The Firehouse Bell should ring again and if so why should it ring?

When there is an opening, ring the bell.

It will inspire people to write poems!!

It should ring every time a new baby is born in Burlington.

Ring the bell on the morning of a voting day as a reminder to vote!

Ring the bell when there is an event at City Hall Park (lets local citizen know if they hadn’t heard/read about it yet)

Ring the bell for celebratory reasons and associate it with announcement on City Hall website. Call it “Why the bell Rings” or something like that.

Bring back the fire pole.

Have the bell travel around announcing a sort of art-mobile. Could start with First Friday Art Shuttle then could take mobile exhibits/displays to schools or randomly around towns, county, state. One farmers market, summervale, waterfront – partner w/Shelburne Museum, Fleming, etc. Bring art to those who wouldn’t otherwise travel to it. Alternate fuel of course,. Bike/Solar etc.

Voting buttons for The Firehouse Bell Project

To celebrate community!

Have it ring at high and low tide.

Have water mist around the bell and ring it when the sun is in position to make a rainbow. 

Ring the firehouse bell! Brings back a sense of history and reminds us how we could still exist without technology.

I think the bell should be able to ring because the bell would ring for special occasions like Christmas, Valentines Day, etc.

I think the bell should ring again because it could be used for events.

The bell RINGING AND BECKONING a community to come together CELEBRATES our accomplishments, ties US TO OUR PAST, resonates for FUTURE GENERATIONS

It rings every time someone falls in love.

The bell should ring every time someone gives any amount of money to a homeless individual in Burlington and texts/tweets the message to a server at the BCA.

What else is a bell good for? Paperweight.

A historic bell has one primary auditory purpose. It must ring! The real issue is when/what purpose?

Aka it may be like a doom bell.

Apocalypse or when warning when all else fails.

The bell must ring for a good reason.

I love the bell.

It should ring according to the moon cycle


It should ring if there is an emergency.

It should ring on holidays and special events.

KEEP IT. Just because it no longer serves the technological, communication purpose it once had is no reason to render it silent. W’er humans aren’t we? WE ASSIGN MEANING TO EVERYTHING. (even the meaningless). We can figure out a new meaning and reason for the bell’s dulcet, brassy tones.

Ring it. It makes us happy. And if it annoys anyone, it doesn’t last for very long. They’ll get over it.

The bell should ring every day at 11:11am and 3:33pm as a reminder for people to smile, enjoy life and strive for excellence. We all need a reminder.

Our communal/community history through common objects is part of who we are as a community today – let’s remember from whence we came by keeping the bell. 

The bell could be used to announce civic events, such as voting day, and rung throughout the day to capture (demand) attention and action.

Function and decoration. Best of both worlds, dingaling, abing bong.

Just ring that damn bell!

The bell should be rung every time a new Burlington baby is born!

It should ring when a bill is passed in Vermont to keep the public engaged and informed regarding new legislation.

Find a way to make music with different beats, different types – for other to accompany.

Every time a baby is born! It would bring a sense of being alive. It should be rung every weekend and when people are celebrating the city!

The firehouse bell is a great reminder of how technology has changed over time. The bell is cumbersome weight has been replaced by lighter more concise technology. 

At the equinox and solstice and other astral events. 

The bell could be used to celebrate and announce community events, such as the Farmer’s Market, First Fridays, Art Hop, Festival of Fools, The Giant Pumpkin Regatta, voting days, First Night, Fourth of July , the last day of school and other special occasions. 

This bell is destined to be used in a contemporary statue that rings at meaningful times. The statue should represent Burlington in all its glory. Or be a pterodactyl. Actually, just make it a pterodactyl. 

It would be really cool to see temporary artwork created with the bell that would be audience-controlled. 

Art can be anything. You just have to find a place to put it. Thank you.

Town Meeting Day

It could symbolize thanks and gratitude when something special happened: New baby born, War ended (maybe more than one ring!), Countless other things!

The bell should be kept to help preserve the building’s exterior historicity.  It should be operable for auspicious occasions, but otherwise preserved as is.

Every time the bell rang it would symbolize God telling us someone did the right thing and it would be God’s form of giving thanks.

Yes! Upcycle! New use for historic artifacts!

Ring the bell exactly one week after a Burlington resident has a baby. Maybe Morse Code the name.

Bells are part of our life. They make us aware of how time moves by. Sacred, honorable, event, move on, take notice, Keep us in step.

Every time a child is born.

Use also some light (lights and sound). 

Utiliser de l’électronique!

I imagine the bell being used for different purposes than the City Hall Bell – such as to announce the opening of a new show!

The &#$! Are you talking about? Just live your life man.

Every time a new business comes to Burlington Vermont!

As evidence of our past communications, stories and history it should have a place.

When there is a big event.

If the bell coincided with the bus schedule…maybe the 1 (that’s the line I most frequently ride), it would be rally helpful for me!

It’s magical.

I love you.

I bet it used to ring and it just takes up power and doesn’t do it anymore. 

Ring every time someone is born (or dies?)

How about allowing views form the top. Ringing on special occasions and/or each Noon.

Soundez justice! Maitenant! S’il vous plaisez!

To ring off city wide “fun days” – beautiful weather days when city employees and (anyone else too!) get the day off. 

It should ring again so that people do not forget what a real bell sounds like. Everyone is now so programmed by all sorts of personalized ringtones on their cell phones that the sound of a real actual bell actually now sounds unusual. 

Making a German coo-coo clock-esque animatronic flying monkey that hammers the bell.

Everytime the mayor tweets, the bell shall ring!

Yes! It’s history and should ring again. Technology doesn’t need to replace everything “old fashioned”!

On the first day of school.

Used for weddings.

It should be replaced with a bubble machine.

Announce begin and end of Art Hop.

Ring at 5:00pm every Friday marking the start of the weekend – “The start of the end”

Ring based on light/dark rather than the exact time of day.

Use public news sources and measure frequency of words like “celebrate” to determine when to ring, only ringing when “celebrate” reaches an extraordinary frequency.

It should warn if zombies attack, have regular Zombie drills (Once a month @ random)

Burlington needs its “symphonies carillon” such as Montreal has its “symphonies portvaires” every year…I’ll come every year for that!

Maybe to commemorate moments in Burlington Vermont history or to open events…the bell could ring!

When it rings 1000 times the aliens will invade the Earth.

Ring at local (high) noon each day – a time different than 12:00 (and I believe a bit different each day).

Please don’t record the sound of the bell and then play the recording rather than ring the bell.

Ring the bell every time an animal is adopted from the CC Humane Society.

“Ring the Bell” Create an online capacity for citizens to celebrate achievement by ringing the bell, with LED screen describing their event, but also just people hearing it and knowing that someone’s smiling.

All cultures depend on shared ritual, knowledge, experience, and play. Perhaps the bell can ring to provoke a valued, community action, such as dance, hugging, recycling, sleeping, exercising, etc. that can be practiced as a community.

The installation included voting ballets, voting boxes, access to a website that held Karson’s research, video of a similar bell being made at the Meneely Bell Company, the striker from the bell and an architectural drawing of the Firehouse and its bell tower. Video by Steve Seremeth.

This installation was included in Critical Making Montreal.

RELEASED.

An office intercom still works, its switches clearly labeled North Corr., Bubble Office, Dining Room, Kitchen, Ground Activity, etc. We flick its switches and listen to the rooms, each one echoes a unique memory and its own sound, each room sounding a distinctive blend of overtones and textures. The slow damp decay of the building’s structure holds all this. This sound piece begins to imagine the release.

Title:

RELEASED.

When and Where:

A sound installation at:

GOING TO WATERBURY: AN ELEGY
Art Installation and Closure Ceremony

Saturday, October 27, 2012
Sunday, October 28, 2012

Photographs of the hospital that were included in the exhibition 

Read more in this VT Digger article 

Ideas:

This sound composition is created from recordings made in Dale and Brooks on October 19, 2012 – just over a year after the hospital was evacuated due to floodwater damage from Tropical Storm Irene. The Vermont State Hospital was officially closed on October 20, 2011.

The building’s mechanics dominate its inner soundscape with churning, humming and buzzing that echoes in its empty hallways and rooms. Outside and heard through open windows, the area is circled by sounds of traffic, birds, the Vermonter train and the river. On this day it is raining.

An office intercom still works, its switches clearly labeled North Corr., Bubble Office, Dining Room, Kitchen, Ground Activity, etc. We flick its switches and listen to the rooms, each one echoes a unique memory and its own sound, each room sounding a distinctive blend of overtones and textures. The slow damp decay of the building’s structure holds all this. This sound piece begins to imagine the release.

Lighting by Jeffrey Salzberg

Thank you to Tom Stevens and Kevin Rogers.

Background:

The Vermont State Hospital in its early days.

Construction for the Vermont State Asylum for the Insane began in 1891. It was expanded and modernized through the early 1960s. 1963 – 2011 is considered a period of deinstitutionalization for the campus.  The hospital was evacuated due to floodwater damage from Tropical Storm Irene in the fall of 2011. For more information about the history of Asylums in the U.S and around the world: www.asylumprojects.org

Read more in this VT Digger article 

Installation Experience:

The Installation RELEASED is projected through two sets of speakers, one set is inside the blue room listening area, the other set outside and directed toward the open sky. As you listen to the composition in the contained space of the blue room, at the same time it is released out into the open air.

Listen

Listen to RELEASED.

Released. Waterbury, Vermont 2012
Looking into the blue-lit room from outside the hospital. The installation sounded inside the blue room and was also “released” into the open air from speakers on the roof of the building.

SOUNDS OF A STONE HOME

Title:

SOUNDS OF A STONE HOME

When and Where:

On location at the stone quarries at Millstone Hill in Barre Town, Vermont.

As part of the group exhibition ON THE PLANET

Presented by Studio Place Arts.

Wednesday, September 1, 2010: 5:00 – 6:30 pm
Sunday, September 5, 2010: 3:00 – 5:30 pm

Ideas:

SOUNDS OF A STONE HOME is a shimmer of sound that explores the comings and goings of the creatures, people and things who inhabit the stonequarries at Millstone Hill in Barre Town, Vermont.

This place is both abandoned and found. Tall walls of cut stone are stacked in these woods. Trees grow from their cracks and wildlife dwells in their crevices. Nearby stone quarries are flooded with blue-green water. What was once the metal and wood track of the railroad is now a grassy path that meanders through the past and present.



Exhibition Experience:


A remix of the the quarry’s natures and cultures was amplified from the stones that align the now grassy paths hiking and biking paths. Carefully placed “Listen” signage was placed nearby.

One hundred years ago, Millstone Hill was the site of over 75 small independent quarry operations, fueling Barre’s dramatic 19th century growth and prosperity. Virtually every square foot of millstone hill was cleared and quarried. During the 20th century, as quarry operations consolidated, these smaller independents closed down. Gradually the quarries filled with water and the forest returned. What was a virtual industrial wasteland was reclaimed by nature.

Listen:

 

Seven Days Review

SOUND AND COLOR: EXPLORING TIME AND PLACE ON THE LAKE CHAMPLAIN WATERFRONT

Champlain Sound and Color - Burlington VT - Paris
Champlain Sound and Color. Pictured here is the color stream projected at La Bellevilloise gallery in Paris, France. The stream was live from the ECHO Center in Burlington VT.

Title:

SOUND AND COLOR: EXPLORING TIME AND PLACE ON THE LAKE CHAMPLAIN WATERFRONT

Artists: Jenn Karson, Matt Larson

When and Where

In April 2010 CiTu labs of the University of Paris held the first synchronized international event for The Art Collider. In Vermont, sound artist Jenn Karson and photographer Matt Larson participated from ECHO Lake Aquarium and Science Center in Burlington, Vermont. They contributed live sound and video streams from the Burlington Waterfront using max/MSP.

The Art Collider is an online platform that supports a collaborative creation of media art through a system of Peer-to-Peer and Artist-to-Artist production.

Sites in the Paris, Montreal, San Francisco, New York & Linz participated in the event.

Idea:

Lake Champlain is a place of global history and natural beauty. Its cultural communities have included
the native Abnaki, early French & British settlers. Presently Burlington is a place of
Asian and African refugee resettlement programs. Traffic from Burlington’s international airport is a dominant element of the Lake’s soundscape. Accompanying its cultural communities are its natural communities. Spring in Vermont is always a dynamic season, a combination of snowfall and snow melt, mud and ice, rain, sleet, sun and frost. It is a time when people and the animals who made their way south for the winter, return. Currently, the weather in the area is more turbulent than usual as the northeast region of the United States is experiencing record flooding and temperatures.

Sound and Color: Exploring Time and Place on the Lake Champlain Waterfront is an exploration of
these natures and cultures that are the Lake Champlain Waterfront.

The Streams

Champlain Sound Stream

SCORING THE STREETS OF NEW ORLEANS

NEW ORLEANS CITY SOUNDSCAPE, 2010. This image was created from midi data used to create SOUNDING THE STREETS OF NEW ORLEANS

Title:

SCORING THE STREETS OF NEW ORLEANS (sound)

NEW ORLEANS CITY SOUNDSCAPE (image)

When and Where

ETHNOGRAPHIC TERMINALIA NEW ORLEANS
DuMois Gallery, New Orleans
November 11 – December 3, 2010
Opening Reception: Friday, November 19
Image: New Orleans City Soundscape, 2010.

Idea:

Fragments of song float from street corners and weave throughout
the open-air bars and restaurants that line Bourbon Street. For the
passerby, pieces of numerous songs are threaded into one melody.
Time signature is determined by the walker’s gate, notes by the chance
encounters with the sound events of the place, points on a map. 

On December 31st, 2004 I walked through the French Quarter and down Bourbon Street recording the experience described above. Music, the sounds of busy streets and celebrations all became part of the recording. Using midi conversion, I translated the original eldrecording into digital data. The data now works as a master score, open to diverse interpretations.

In 2010 I’ve worked with this score to create the sound piece SCORING THE STREETS OF NEW ORLEANS and the image NEW ORLEANS CITY SOUNDSCAPE.

Listen

SOUNDING THE STREETS OF NEW ORLEANS

NAVIGATING THE BAY

Projection from NAVIGATING THE BAY. This was an active score that responded to active triggers (sensors) in the courtyard.

Title:

NAVIGTING THE BAY

When and Where:

San Francisco Art institute Courtyard
December 2008

Score/drawing used in the projection of the installation NAVIGATING THE BAY.

Ideas:

Navigating the Bay is a sound and projection installation that explores the complex systems of humans, animals and machines that rely and reside on the San Francisco Bay. A response to the  2007 Cosco Busan Oil Spill that was partly the fault of malfunctioning radar, the installation uses sound, projection, sensors, micro controllers and Max/MSP. The piece explores the progression of navigational technologies,  channeling current sounds of the bay through historic San Francisco fog horn patterns.

Listen

POWER AND GROUND

Title:

POWER AND GROUND

Where and When

  • Audible Observations, Ethnograpic Terminalia, San Francisco, California, 2012
  • Marin Country Day School, California, 2010
  • The Mission Arts & Performance Project, Rosie’s Cheeks Garage, San Francisco, 2009
  • Vernisage, Fort Mason, San Francisco, 2009

 

Installation Shots

Power and Ground


Ideas

How we as individuals and cultures define what is natural is very much related to the core beliefs we hold about ourselves and the world we inhabit. What is “natural” is what we often perceive as what is right, just as what is “natural” is often what we perceive as not human or human impacted. This contradiction calls into question our daily routines and behaviors that impact the world we live in right now – are we behaving naturally?

POWER AND GROUND observes daily routines of the urban environment, and considers this environment a natural world. This natural world is made up of  interdependent systems of humans, money, machines, the elements, flora and fauna. It explores the shifting negotiations of natures and cultures in San Francisco in 2009.

 

 

Publications

Power and Ground publication

View the full publication Power and Ground

Sounds of Earth, Sea and Sky School workshop

1500 WATERS

Title

1500 WATERS

When and Where

EXPANDING, Stanford University, Fall 2008

Ideas

1500 WATERS is a study of abundance and scarcity. Through sound composition and installation it is a reflection on the summer of 2008 when approximate 1500 wildfires burned in California while flooding occurred in other parts of the U.S.

The Experience

1500 waters used HSS highly directional speakers, microcontrollers, and sensors. Highly directional sounds beams echoed in the front entrance way of the gallery, while sensors on the ground tracked the motion of visitors, triggering additional rays of sound.

Listen

1500 WATERS