I recently discovered Pachube ( pronounced “patch-bay”) after hearing about it on the Canadian radio program SPARK. After doing some research I only found one Vermont location that is actively submitting readings. What an exciting find. We look forward to working with pachube, arduino and max/MSP.
A recent project that got a lot of attention for Pachube involved it being used for citizen geiger counter readings in Japan, after the earthquake there on March 11, 2011.
Here’s more about Pachube:
Pachube (“patch-bay”) connects people to devices, applications, and the Internet of Things. As a web-based service built to manage the world’s real-time data, Pachube gives people the power to share, collaborate, and make use of information generated from the world around them.
“Imagine for a moment if all the genius and intellect of all generations that have come before you had been concentrated on a single set of tasks, focused exclusively on knowing a particular piece of ground, not only plants and animals but every ecological, climatic, geographic detail, the pulse of every sentient creature, the rhythm of every breath of wind, the patterns of every season. This was the norm in Aboriginal Australia.”
The Wayfinders: Why Ancient Wisdom Matters in the Modern World
There are many ways to know a place and live ones life within it. The Wayfinders, by Wade Davis, makes a very strong case for what everyone stands to gain from both learning and exploring the different ways that cultures around the globe understand themselves and their relationships to the earth and the universe.
Wade is an astonishing writer – there are many gorgeous paragraphs in this book and it often reads like poetry. He’s also a remarkable communicator. His point of view is clearly stated and yet he does not assume that you will agree with him. Sometimes he even spars with the reader, which makes it an even more engaging read, as he senses your doubts and cynicism and responds to them directly.
The book introduced me to cultures I knew little to nothing about. I found the chapter on Polynesian sea navigation the most captivating:
“The navigator must process an endless flow of data, intuitions and insights derived from observation and the dynamic rhythms and interactions of wind, waves, clouds, stars, sun, moon, the flight of birds, a bed of kelp, the constantly changing world of weather and the sea.”
The above is just a snippet of this 249 paged book. I often found myself just reading a few pages per sitting. The subject matter was so rich, I chose to take my time with it, to let it all sink in.
As an artist who explores how people and nature negotiate, I found this book a thrilling and educational read – refreshing, inspiring and humbling. I highly recommend it. I would loan you my copy if only I could part with it – I can’t.
A few weeks ago I came across the Gulf Oil Tracker Widget (below), a widget that observes the real-time spillage of oil in the Gulf. This little widget can be embedded into any website, providing a live window to the heart of the Gulf Oil Spill Crisis.
The video takes a few moments to load, but it is worth the wait. There’s another version of the widget that does not have the video. It loads more quickly and still provides useful live calculations of the spill.This widget comes via PBS and NPR.
Intrigued, I did some research to see how maps are being used in new and traditional media to describe and explain the spill. Many of the maps that I found are doing more than helping the viewer “navigate a space.” Drawing on the ideas of the landscape architect Lawrence Halprin, these maps are also “scores” that show events taking place over time. These visuals are helping us understand how the Gulf Oil Spill is unfolding over days, weeks and months.
Here are the best maps I found online:
No matter what your politics or how you feel about Rachel Maddow, you may be surprised to see how much oil production in is going on in the Gulf of Mexico right now. I was. This online video of her news feature “Map Time” features a still map that tells a riveting story.
Rachel Maddow Gulf Oil Drilling Map:
Citizen Reporting Smartphone App
This smartphone application allows anyone to post reports on the oil spill: photos, videos and field notes.
BP Oilspill Multitouch Map
Ideum application for touch tables uses a combination of existing Google maps and photos from a Flickr Group. You may start to see this in museums and science centers that have multi-touch tables.
The NASA Satellite images are sophisticated and include detailed descriptions.
New York Times
The New York Times website has maps about where oil has made landfall, effects on wildlife, live video and more.
The earliest map image is a few days old. It features overlays of NOAA oil spill forecasts, YouTube videos, emergency fishing closures, satellite imagery and more.
Have you found an interesting Gulf Oil Spill map that is not listed here? Please post it below.
Google Street View vehicles traveled the world collecting private digital data from behind the curtains and doors of private homes and businesses.
Google Street Views around Lake Champlain
Vermont & New York, USA
Street views are available for the routes in blue
(click here for larger image)
After successfully launching an effort to capture street views from around the globe, Google is saying that it accidentally also captured information that included Wi-Fi passwords and email. Google says it didn’t mean to capture this information and that it did nothing illegal. Google is not evil, right? But how does one launch such a huge and expensive effort and not know all its bells and whistles? Wouldn’t that have been part of the pitch? How does one make a mistake like this, yet within the strict lines of the law? How do the engineers at Google, the best in the world, not discover this “mistake” until it is pointed out to them?
Google Street View Status of Investigations, June 18, 2010
(click here for larger image)
Part of the premise of Google Street Views is that it only shows (and captures) what any person “walking down the street” would see – it merely captures and distributes what is already on public view. Digital images of physical “public spaces” are digitally distributed to a wider public. Now we know more, aside from making what was public more public, Google Street View vehicles traveled the world collecting private digital data from behind the curtains and doors of private homes and businesses. Those cute little buggies with ostrich-necked cameras don’t seem so cute anymore.
If you give Google the benefit of the doubt that they are not interested in violating privacy laws, this question persists: What did they stand to gain from gathering private information from private spaces if it wasn’t to make it public?
“States Ready Joint Probe of Google Data Collection,” The Wall Street Journal, June 22, 2010
Ansel Adams and Edward Burtynksky: Constructed Landscapes
Jun 19 – Oct 24
I am a great admirer of Edward Burtynsky’s work, so I was thrilled to discover that the Shelburne Museum in Shelburne, Vermont is showing his photographs in the exhibition “Constructed Landscapes.” (It is the perfect first entry for the new Studio Ju Ju blog). Burtynsky explores places where humans have dramatically altered the natural landscape. His photographs are beautiful while they present almost unfathomable destruction.
Vermont residents and visitors can’t help but look at Vermont’s picturesque landscapes with reverence. Burtynsky’s photographs, while they depict destruction, can evoke the same kind of awe, raising an array of interesting questions about our relationship to the landscape in 2010. To add poignancy to the viewing experience, the exhibition also includes photographs by Ansel Adams from a time when the American relationship to the landscape was perhaps, quite different.
There is a powerful documentary that chronicles Burtynsky’s work in China. I highly recommend Manufactured Landscapes. It is available through Netflix.
Below is the Shelburne Museum’s write-up about the show. See you there!
Constructed Landscapes is Shelburne Museum’s first exhibition of modern and contemporary photography. The exhibit features over 60 photographs by Ansel Adams (1902-1984), one of the most influential and popular landscape photographers in history and Edward Burtynsky (b. 1955), a contemporary photographer whose images of “manufactured landscapes” such as mines, railway cuts and dams have brought him considerable acclaim in the past decade.
The exhibit explores concepts of the natural world, wilderness and how carefully crafted images can lead the viewer to specific conclusions and ultimately shape public perception about land use, natural resources and beauty.
Burtynsky and Adams are in stark juxtaposition in Constructed Landscapes. Ansel Adams’ classic and pristine black and white images of undisturbed nature contrast with Burtynsky’s stunning color prints of landscapes altered by man, including quarries in Vermont.
More on the exhibition Ansel Adams and Edward Burtynksky: Constructed Landscapes